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Austin’s own Reckless Kelly return with their 8th studio album, Long Night Moon on September 3, 2013. The album is the follow-up to 2011’s Grammy Nominated Good Luck & True Love, which took home four Lone Star Music Awards, and sent three singles to #1 on Texas Radio. Produced by band members Willy & Cody Braun, along with Lead Guitarist David Abeyta, Long Night Moon was mixed by Ray Kennedy (Steve Earle, Emmylou Harris), and features additional instrumentation from legendary steel guitar player Lloyd Maines, as well as Bukka Allen (piano, organ) and Jeff Plankenhorn (dobro).
When Willy Braun, frontman and principal songwriter for the band began writing songs for Long Night Moon, he quickly found a theme emerging. “About halfway through writing this record, I noticed that almost all of the songs I was writing, whether they were songs about the road, life, or love, had something to do with traveling. It started as an accident and I decided to just go with it. Before we knew it, there was a definite theme.” It’s honest, original and constantly evolving. The group is known for their explosive live shows and a passion for making albums of substance. Long Night Moon is no exception to this rule.
MICKY AND THE MOTORCARS
Thirteen years can put a hell of a lot of wear and tear on even the hardiest of rock ‘n’ roll bands. But don’t be fooled by all those hundreds of thousands of miles on Micky & the Motorcars’odometer: pop the hood of Hearts From Above, the long-running Austin band’s seventh album, and you’ll find a brand-new engine, fine-tuned and good to run for at least as many more miles still ahead. And behind the wheel? Two brothers and founding members Micky Braun (lead vocals and guitar) and Gary Braun (guitar, mandolin, harmonica, and vocals) invigorated and supercharged by a transfusion of new blood from fresh recruits Josh Owen (lead guitar, pedal steel guitar), Joe Fladger (bass), and Bobby Paugh (drums). Micky and Gary, who by their own admission, haven’t been this fired up about playing together since they first rode south from the Whitecloud Mountains of Idaho to stake their claim to the Texas and wider Americana music scenes.
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